Category Archives: Flute Making

40 Years of Flute Making!

2023 Marks the 40th Anniversary of Martin Doyle Flutes!

“I have been reminded that I am forty years making flutes this year. At times like this, it comes to mind that there is a large number of people to thank for their help along the way – a steady stream of friends, teachers and customers who have offered their ideas, inspiration and encouragement. I would like to mention them all but they are so numerous that it would be impossible. If I started now and wrote for a month, I would probably still leave some important people out.

So … I will settle for offering my gratitude to all those who have supported me down through the years and say that it has been an honour to be of service to the vast world of music and the harmony that it creates. Thank you all so much!” — Martin Doyle.

Some Comments from the Sidelines

I first met Martin Doyle in 2000 at his riverside workshop in Bray, County Wicklow. He was seventeen years into the process of producing good quality simple system wooden flutes back then and doing well. The story of his journey is wonderful – full of character and great characters. Twenty-three years later and we are celebrating Martin’s 40th anniversary in the noble art of flute making.

40 years is a long time to be doing anything – especially an activity like flute making. A very precise art, the making of flutes requires focused concentration for hours on end hunched over machinery, wearing magnified eye shields and working in the realm of fractions with material that can at times be hard on the nerves and the health. It is an artisan craft that requires vision, commitment and dedication.

There is also a great deal of responsibility as one is labouring to accomplish a good result for musicians – beings that can be quite pedantic in terms of what they seek in an instrument. As in all aspects of life, there are peaks and valleys but, from my observation, Martin seems to have enjoyed the view from the peaks more often than not.

Then there is the aspect of transcendence. How does one develop ones capacities in order to take a chosen craft beyond the limitations of what has been created previously? This is where I personally believe that Martin Doyle has excelled. As with the work of making a flute, transcendence is accomplished in fractions and occurs when diligence, research, intuition, passion and many other glowing qualities meet with and are moistened by the rains of love for the work, discipline, patience, humanity and, certainly in this case, love for music itself.

Martin is himself an accomplished musician and, as the years have passed, his flutes have always gradually improved in my view. Perhaps he is vicariously making flutes for that deep universal aspect of himself that exists in others – or is that to zen? Whatever the case may be, there seems to be an underlying aspiration for perfection in Martin’s journey as a flute maker and as a man on this earth. Perfection is, after all, a master that demands constant transcendence through self improvement.

Well Martin, fair play to you – forty years is no joke! I am sure that you have a few more years in you yet and some fortunate musicians out there will benefit from that. Personally I would like to thank you for your friendship and for having me along for the ride. I am honoured to have partaken in a little of life’s adventure with you! Your kindness and generosity of spirit are matters of my heart’s deepest joy and gratitude. MY HEARTIEST CONGRATULATIONS TO YOU!

~ Shardul.

If any who read this post would like to leave a comment for Martin, please do so below. Encouragement is a valued commodity. 🙂

The Day We Went To Sligo

September 26 this year saw Martin Doyle attend the 20th Sligo Festival of Baroque Music where he had been invited to have a instrument makers stall and offer a workshop on Baroque flute making.

Martin Doyle's stall at the 20th Sligo Festival of Baroque Music, September 2015

Martin Doyle’s stall at the 20th Sligo Festival of Baroque Music, September 2015

Reflecting on the event, Martin commented that he had a wonderful time, met some lovely people and attended some excellent workshops and recitals.

Recital at the 20th Sligo Festival of Baroque Music

Members of the Collegium Marianum offer a recital at the 20th Sligo Festival of Baroque Music, September 2015

One of the people who really impressed Martin was the Czech flute player Jana Semerádová, whose Baroque flute master class and recitals Martin attended. The following is a video clip of Jana performing a concerto in G major for flute by the Italian Baroque composer and violinist Giuseppe Tartini with members of the Collegium Marianum.

Continue reading

Martin Doyle To Attend Sligo Festival Of Baroque Music

The Model, County SligoThe three day 20th Sligo Festival of Baroque Music commences on September the 25th and Martin Doyle has been invited by the festival’s organisers to attend as an artisan exhibiter and to offer a flute making workshop.

Martin has been making simple system Irish flutes since the early 1980s and his first batch of Baroque flutes were crafted in 2000. Modelling his Baroque flutes on an eighteenth century Rottenburgh flute design, Martin has made several batches since and generally uses either boxwood or African Blackwood.

Martin Doyle Baroque Flute made of Boxwood

Martin Doyle Baroque Flute made of Boxwood

The 20th Sligo Festival of Baroque Music is being held at The Model in Sligo and Martin Doyle’s Flute Maker Workshop begins at 11 am on Saturday September the 26th.

Kind Words From Matthew Laurie

Matthew Laurie

Matthew Laurie

As mentioned in previous posts, Martin Doyle sometimes receives messages from people who have purchased flutes from him and write to compliment and thank him for his efforts. These kind comments are sometimes posted on Martin’s website, with the permission of the authors, and Martin recently received a very nice comment from Matthew Laurie – a community musician and storyteller from Derbyshire in England. These are Matthew’s kind words:

Hi Martin,
The flute [boxwood Celtic style flute] arrived today and I am in love! It is simply stunning and is far and away the finest flute that I have played and owned. I am amazed at the expressive range that I can achieve even on the first day of playing it. This flute will inspire me to play and practice more – I am very happy indeed. Thank you!

Some two weeks later Matthew commented to this webmaster that the flute had indeed inspired and helped him to practice more and to play at a higher level. I mentioned this to Martin Doyle who made the following comment:

Well for me the whole point of this flute making game is to make flutes that bring the players on – that’s my intention. Otherwise there would be no point in doing it.

Fair play to you Martin.

Matthew’s kind words and those of many other flute players can be viewed here: Testimonials »

Martin Doyle Flutes’ 30th Anniversary

Martin Doyle Flutes : 1983—2013

Martin Doyle Flutes' 30th Anniversary : 1983-2013 This year marks the 30th anniversary since Martin Doyle began his odyssey as a flute maker. No hoopla, probably not going to have a party, have put a little logo on the homepage of the website – that’s about it folks! Life goes on, flute orders come in, and Martin feels that the best way to celebrate is to carry on with the creative process that he began with and try all the time to improve his flute designs with the people who will play them in mind. This ethos has always been to the fore in his heart and mind from the outset and continues to drive him today.

A Message From Martin Doyle

Martin Doyle

“I would like to thank everyone for their support over the past thirty or so years. There are many dear friends who have been very encouraging and supportive through this process and that includes my family of course. I have also been very grateful to receive kind and encouraging comments from people all over the world who have purchased my flutes.

“I consider the act of creating instruments for musicians a privilege that cannot be understated. It is also a journey of partnership that requires the interplay and focus of both parties – the flute maker and the flute player. This has helped me to evolve and has also kept me inspired and active in the field of flute making. In my view these are sacred connections in the eternal quest for expression through the universal language that is music.

THANK YOU ALL VERY MUCH! – Martin.”

A Tune To Celebrate


Tune: The Flute Maker Martin Doyle – by Joe Doyle.

Kind Comments From Garry Shannon

Martin Doyle has just received a very kind testimonial from the renowned left-handed flute player Garry Shannon after Martin finished a keyed flute for him. These are Garry’s words:

“Martin is an affable craftsman in whose workshop time means nothing. He will generously spend hours discussing his craft. Despite his laid-back manner, he will not leave you waiting years for your new instrument. I have been recommending Martin Doyle flutes to my students for many years due to their tonality, volume and after-sales service. Last year, I finally took the plunge myself and put aside my beloved flute of twenty years for a new custom-made Doyle model and I have never looked back.”

More kind comments from flute players all over the world can be viewed here: Testimonials »

About Garry Shannon

Irish flute player Garry Shannon

Irish flute player Garry Shannon

Garry Shannon is the eldest of a celebrated County Clare family of musicians which includes Sharon Shannon (accordion) and Mary Shannon (banjo).

Garry won the senior All-Ireland flute title in 1988 and has since played with a number of respected groups. He is a member of the legendary Kilfenora Ceili Band which is based in Kilfenora, County Clare, has recorded three solo albums, teaches flute extensively and is co-ordinator of the Irish music residential summer school Meitheal.

FSC Certified Blackwood Arrives

Martin Doyle has long dreamed of making flutes using timbers that have been produced in environmentally friendly and socially equitable modes. In recent years, Martin has been involved in a number of projects that have highlight a movement toward that reality and he has participated in the making of three radio documentaries highlighting the sustainable use of African BlackwoodMpingo as the valued tonewood is known in east Africa. Martin is the first flute maker to produce an Irish flute from FSC certified African Blackwood having received a small amount of the timber some months ago.

Martin Doyle with the newly arrived FSC certified African Blackwood.

Martin Doyle with the newly arrived FSC certified African Blackwood.

This week Martin received his first full shipment of FSC certified African Blackwood which prompted the following comment:

“The arrival of this timber gives us the feeling of working in a sustainable environment that is genuinely beneficial to the people of Tanzania and we are very happy to be participating in a chain of events that has a positive outcome for everyone involved. It’s a great joy!”

Martin thinks that this shipment of timber has been harvested from the sustainably managed Mpingo forests around the village of Kikoli in eastern Tanzania – an area Martin visited during his trip to Tanzania in 2009. Martin’s plan is to be using FSC certified African Blackwood exclusively from the beginning of 2012 as his present stock of material diminishes. The flutes made from the FSC certified timber will be stamped accordingly.