Tag Archives: Martin Doyle

Testimonial From Leanne Brennan

What better way to round out a year than to receive a lovely testimonial from a customer-friend expressing gratitude for a job well done! Two days before Christmas, Martin Doyle received the following words from Leanne Brennan of Kilcoole in County Wicklow.

Dear Martin,

I had been beyond excited waiting for the arrival of my new flute. What I received surpassed all my Expectations. The masterful craftsmanship is evident in every element of this beautiful Boxwood flute. From the feel and the look, to its smooth, clear, deep tonal sound. What a privilege to own and play such a flute, I will be perpetually grateful to have such an instrument in our family made by not only a master at his craft but a complete gentleman.

Thanks so much again for such an incredible flute! I have been “ar neamh” (in heaven) playing away 🙂

Leanne Brennan

Messages like this bring great joy to the heart’s of those that make things from wood with their hands for the betterment of the world – in this case, the flute maker Martin Doyle.

Thank you Leanne.

The gratitude of the heart
Is itself the breath-gratitude
Of life.
~ Sri Chinmoy

More testimonials can he seen here »

Martin Doyle at The Lotus-Heart in 2014

Three Videos From The Archive

Several days ago, our webmaster discovered three video clips in an archive from Martin Doyle’s trip to New Zealand in December of 2014. But first, a couple of anecdotes…

Poor Martin! He stayed in Christchurch for three weeks, and for the first week he was stuck in bed with a nasty bug that had latched on to him during the long flights from Ireland to New Zealand. Exhausted from his pre-Christmas rush to get his flute orders out to customers before his holiday, Martin had become vulnerable to airplane bugs. As if that wasn’t enough, during the period of his illness, an earthquake gave the area a good shake in the wee hours of one morning and the old bed that Martin was sleeping on partially collapsed. It was a real welcome to “The Shaky Isles“, as New Zealand is sometimes called. Remarkably Martin seemed to almost enjoy his first time experience of that aspect of nature’s power!

Having recovered from the dreaded lurgy and the quake, Martin did get a chance to have a look around Christchurch and the Canterbury region. During that time he was a guest at The Lotus-Heart vegetarian restaurant where he offered a couple of informal music sessions with some local musicians and small but appreciative audiences. Here are three video clips from those sessions that we posted on Martin’s YouTube channel recently. The local musicians are Shardul (Irish flute), John Wood (guitar and vocals), Jade Bell (bodhrán and vocals), Rowan Oliver (Irish harp) and her father Peter Oliver (guitar).

Father O’Flynn

The Star of the County Down

Fields of Athenry

Related Post

Astute Comments from a Chiff and Fipple Thread

Occasionally Martin Doyle’s webmaster browses the Chiff and Fipple forum boards to read what the folks out there have been chatting about, especially with regards to Martin Doyle flutes. One can learn a lot and also see the progress that we have made over the years as a community. Recently he came across an interesting post from March in 2010 by Jim Stone – a flute player from St. Louis, USA.

The context was that someone had spotted a Martin Doyle flute on Ebay and was casting around at the time to see what people knew about Martin’s flutes. Jim was first to comment with these kind words…

I’ve played a couple of Doyle flutes. These are really good flutes.

The conversation then turned to the fact that the particular flute in question did not have a tuning slide. Martin Doyle’s basic flutes, whether celtic or traditional models, do not come with tuning slides but they can be ordered with tuning slides or even retro fitted after purchasing. Jim Stone had the following to say about the ‘no tuning slide’ issue.

No slide. The flute is tunable via the tenon and is, in fact, widely played in sessions.
The craftsmanship is very good, the design is very good. The headjoint is all wood,
and the flute has a great woody sound, good volume. It’s a bit on the Pratten side of
things but easy enough to handle and finger. I would gladly buy one of these
if I didn’t have quite enough D flutes already.

A Doyle flute is in evidence on the first part of this video.

https://www.youtube.com/watch?v=ce-5VnetlCM

jim_stone March, 2010

Jim was on the money with his comments regarding tuning slides. Many flute players do not use them and they get along just fine. A prime example is in the YouTube video that Jim posted a link to. The flute player in the video is Ronan Browne, who is playing a Martin Doyle flute in the first instrumental break and a set of Uilleann pipes in the second. It is a lovely example of the reedy sound of an Irish flute without a tuning slide – ie: no metal lining the head joint. Here are some words from a testimonial that Ronan sent for Martin Doyle’s website some years back…

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Diarmuid Breathnach’s Passing

Diarmuid Breathnach
Diarmuid Breathnach

It is with heavy heart that we announce the passing of one of Martin Doyle’s dearest friends, Diarmuid Breathnach, on Monday the 13th of November 2023. This was the message received from Martin on November 15.

Diarmuid Breathnach left us the day before yesterday.
He was one of the best people I have known.
He was 93 and born on the 5th of August, 1930 – exactly 21 years older than me. You will remember that Diarmuid very kindly made the Irish translation for my website (see: Scéal Máirtín Ó Dubhghaill).

Diarmuid Breathnach

Below are some external facts about Diarmuid’s life from an article on the RTÉ website. His contributions to Irish culture were immense.

Born in Kiltimon, Co. Wicklow, in 1930, Mr. Breathnach was educated in UCD Dublin before he was appointed town librarian in Bray and Kilkenny county librarian.

He was subsequently employed by RTÉ to set up its radio archives and in 1975 he became the organisation’s chief librarian.

In 1987, he took early retirement from RTÉ and he and fellow librarian, Máire Ni Mhurchú, began working full-time on the Irish-language Dictionary of Irish Biography, Beathaisnéis.

They published nine volumes during 1986-2007 detailing the lives of writers, scholars, singers, actors, broadcasters, sports personalities, journalists, musicians, folklorists, politicians, clergymen, storytellers, activists and Gaeltacht personalities.

Mr Breathnach was also the author of two almanacks in Irish and published material in newspapers and journals.

In 1996, he and Máire Ní Mhurchú were awarded Gradam Bhord na Gaeilge.

They received a D Litt Celt from Maynooth University in 2002. In 2008, they were presented with Gradam an Oireachtais.

For this who knew the man, Diarmuid Breathnach will also be remembered for his warmth, humour and kindness of spirit. May you Rest In Peace Diarmuid – gentle man – and thank you for the richness of your contribution to this world.

Diarmuid Breathnach and Martin Doyle
Diarmuid Breathnach and Martin Doyle together in County Wicklow in 2009.

Related: Irish Translation Added »

40 Years of Flute Making!

2023 Marks the 40th Anniversary of Martin Doyle Flutes!

“I have been reminded that I am forty years making flutes this year. At times like this, it comes to mind that there is a large number of people to thank for their help along the way – a steady stream of friends, teachers and customers who have offered their ideas, inspiration and encouragement. I would like to mention them all but they are so numerous that it would be impossible. If I started now and wrote for a month, I would probably still leave some important people out.

So … I will settle for offering my gratitude to all those who have supported me down through the years and say that it has been an honour to be of service to the vast world of music and the harmony that it creates. Thank you all so much!” — Martin Doyle.

Some Comments from the Sidelines

I first met Martin Doyle in 2000 at his riverside workshop in Bray, County Wicklow. He was seventeen years into the process of producing good quality simple system wooden flutes back then and doing well. The story of his journey is wonderful – full of character and great characters. Twenty-three years later and we are celebrating Martin’s 40th anniversary in the noble art of flute making.

40 years is a long time to be doing anything – especially an activity like flute making. A very precise art, the making of flutes requires focused concentration for hours on end hunched over machinery, wearing magnified eye shields and working in the realm of fractions with material that can at times be hard on the nerves and the health. It is an artisan craft that requires vision, commitment and dedication.

There is also a great deal of responsibility as one is labouring to accomplish a good result for musicians – beings that can be quite pedantic in terms of what they seek in an instrument. As in all aspects of life, there are peaks and valleys but, from my observation, Martin seems to have enjoyed the view from the peaks more often than not.

Then there is the aspect of transcendence. How does one develop ones capacities in order to take a chosen craft beyond the limitations of what has been created previously? This is where I personally believe that Martin Doyle has excelled. As with the work of making a flute, transcendence is accomplished in fractions and occurs when diligence, research, intuition, passion and many other glowing qualities meet with and are moistened by the rains of love for the work, discipline, patience, humanity and, certainly in this case, love for music itself.

Martin is himself an accomplished musician and, as the years have passed, his flutes have always gradually improved in my view. Perhaps he is vicariously making flutes for that deep universal aspect of himself that exists in others – or is that to zen? Whatever the case may be, there seems to be an underlying aspiration for perfection in Martin’s journey as a flute maker and as a man on this earth. Perfection is, after all, a master that demands constant transcendence through self improvement.

Well Martin, fair play to you – forty years is no joke! I am sure that you have a few more years in you yet and some fortunate musicians out there will benefit from that. Personally I would like to thank you for your friendship and for having me along for the ride. I am honoured to have partaken in a little of life’s adventure with you! Your kindness and generosity of spirit are matters of my heart’s deepest joy and gratitude. MY HEARTIEST CONGRATULATIONS TO YOU!

~ Shardul.

If any who read this post would like to leave a comment for Martin, please do so below. Encouragement is a valued commodity. 🙂

Leonora Lyne Playing a B Flute

Leonora Lyne playing a Martin Doyle B flute

We have just posted a video and two audio samples of Irish flute player Leonora Lyne playing a Martin Doyle B flute. Martin does not construct B flutes very often – Leonora’s was only the second one – but they are completely of his own design and have great tone. Enjoy the music (links below) and many thanks to Leonora for sending the samples.

Martin Doyle visits Dublin

Martin Doyle recently visited Gandharva Loka in Dublin to drop off a pair of flutes made from native New Zealand timbers – the last of the ‘KiwiCelt’ flute line that Martin has produced throughout the years. Here is a video clip of Martin playing the flute made of black maire wood in the Gandharva Loka store.

https://www.instagram.com/p/B6OCijzH4cn/?utm_source=ig_web_button_share_sheet