Tag Archives: flutes

Testimonial From Leanne Brennan

What better way to round out a year than to receive a lovely testimonial from a customer-friend expressing gratitude for a job well done! Two days before Christmas, Martin Doyle received the following words from Leanne Brennan of Kilcoole in County Wicklow.

Dear Martin,

I had been beyond excited waiting for the arrival of my new flute. What I received surpassed all my Expectations. The masterful craftsmanship is evident in every element of this beautiful Boxwood flute. From the feel and the look, to its smooth, clear, deep tonal sound. What a privilege to own and play such a flute, I will be perpetually grateful to have such an instrument in our family made by not only a master at his craft but a complete gentleman.

Thanks so much again for such an incredible flute! I have been “ar neamh” (in heaven) playing away 🙂

Leanne Brennan

Messages like this bring great joy to the heart’s of those that make things from wood with their hands for the betterment of the world – in this case, the flute maker Martin Doyle.

Thank you Leanne.

The gratitude of the heart
Is itself the breath-gratitude
Of life.
~ Sri Chinmoy

More testimonials can he seen here »

Astute Comments from a Chiff and Fipple Thread

Occasionally Martin Doyle’s webmaster browses the Chiff and Fipple forum boards to read what the folks out there have been chatting about, especially with regards to Martin Doyle flutes. One can learn a lot and also see the progress that we have made over the years as a community. Recently he came across an interesting post from March in 2010 by Jim Stone – a flute player from St. Louis, USA.

The context was that someone had spotted a Martin Doyle flute on Ebay and was casting around at the time to see what people knew about Martin’s flutes. Jim was first to comment with these kind words…

I’ve played a couple of Doyle flutes. These are really good flutes.

The conversation then turned to the fact that the particular flute in question did not have a tuning slide. Martin Doyle’s basic flutes, whether celtic or traditional models, do not come with tuning slides but they can be ordered with tuning slides or even retro fitted after purchasing. Jim Stone had the following to say about the ‘no tuning slide’ issue.

No slide. The flute is tunable via the tenon and is, in fact, widely played in sessions.
The craftsmanship is very good, the design is very good. The headjoint is all wood,
and the flute has a great woody sound, good volume. It’s a bit on the Pratten side of
things but easy enough to handle and finger. I would gladly buy one of these
if I didn’t have quite enough D flutes already.

A Doyle flute is in evidence on the first part of this video.

https://www.youtube.com/watch?v=ce-5VnetlCM

jim_stone March, 2010

Jim was on the money with his comments regarding tuning slides. Many flute players do not use them and they get along just fine. A prime example is in the YouTube video that Jim posted a link to. The flute player in the video is Ronan Browne, who is playing a Martin Doyle flute in the first instrumental break and a set of Uilleann pipes in the second. It is a lovely example of the reedy sound of an Irish flute without a tuning slide – ie: no metal lining the head joint. Here are some words from a testimonial that Ronan sent for Martin Doyle’s website some years back…

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Martin Doyle visits Dublin

Martin Doyle recently visited Gandharva Loka in Dublin to drop off a pair of flutes made from native New Zealand timbers – the last of the ‘KiwiCelt’ flute line that Martin has produced throughout the years. Here is a video clip of Martin playing the flute made of black maire wood in the Gandharva Loka store.

https://www.instagram.com/p/B6OCijzH4cn/?utm_source=ig_web_button_share_sheet

Eimear And Martin Playing Tunes

Irish flautist Eimear McGeown has just returned to Ireland from the Budapest Flute Academy in Hungary and she stopped in for a quick visit with Martin Doyle at his workshop in the County Clare today. As is often the case when musicians get together, one thing led to another and this took place…

Playing a few tunes with Martin Doyle Flutes in his workshop on his new style of Irish flutes. This one is boxwood, they’re going to be great starter flutes…

Posted by Eimear McGeown – Flute on Thursday, 31 March 2016

The tunes are Tom Ward’s Downfall and Anderson’s – both reels.

Finding Your Instrument

We recently received a message from our Kiwi friend Shardul that ran thus:

“Hi Martin,
The attached article was posted on a blog that has now gone the way of the dinosaurs, struck by the asteroid of disinterest. It is about my own experience and views on music, the importance of finding an instrument that suits ones nature, needs and abilities, and how I got started playing the flute – which is where you come in to the picture. Anyway, if you feel that it is a story worth telling, perhaps your blog would be a good home for my humble scribblings. I shall leave it in your hands to do with as you wish.
Kind regards,
Shardul.”

And so, we present…

Finding Your Instrument

Instrument bazaar in Morocco

Instrument bazaar in Morocco. Photo: Fez – themazzons

Have you ever noticed that some people seem to be blessed with the wonderful ability to get music out of just about any musical instrument they lay their hands on? (I have a friend who I swear could wring a tune from a damp sponge if he wanted to!) Then there are those of us who, though devoted music lovers, struggle to express ourselves even on one instrument. The later is my category – or so I thought.

“Music; the greatest good that mortals know, and all of heaven we have below.”
– Joseph Addison.

For those who are left in awe of the musically gifted creed, we may be doing them and ourselves something of a disservice. First of all, we have not witnessed the many hours of practice that these ‘fortunate maestros’ have put into their music training. Some survive on raw talent but most have to work hard at it. Secondly it is a fatal mistake to compare oneself to others – probably the numero uno inspiration killer – because we develop the ‘Oh, I could never ever be like that’ syndrome! We are all unique and carry within us the quintessential seeds of creativity. Thirdly, for those of us whose creativity-seeds are still in the early stages of germination, there is the thought that we may not yet have found our instrument – that divine implement that was made ‘just for me’, perfectly suits our personality and allows the creative outlet that we have always yearned for. There is truth in this – I know it for a fact because it took me some four and a half decades to find the instrument that I did not even know I was looking for!

So I write with the intension of encouraging kindred-souls who are still holding to the hope that they may yet get a chance to play the music that they hear and feel inside their hearts and minds. Here is my story …

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Martin Doyle To Attend Sligo Festival Of Baroque Music

The Model, County SligoThe three day 20th Sligo Festival of Baroque Music commences on September the 25th and Martin Doyle has been invited by the festival’s organisers to attend as an artisan exhibiter and to offer a flute making workshop.

Martin has been making simple system Irish flutes since the early 1980s and his first batch of Baroque flutes were crafted in 2000. Modelling his Baroque flutes on an eighteenth century Rottenburgh flute design, Martin has made several batches since and generally uses either boxwood or African Blackwood.

Martin Doyle Baroque Flute made of Boxwood

Martin Doyle Baroque Flute made of Boxwood

The 20th Sligo Festival of Baroque Music is being held at The Model in Sligo and Martin Doyle’s Flute Maker Workshop begins at 11 am on Saturday September the 26th.

Cairde Chualann Feature 5 Martin Doyle Flutes

The following video clip features a traditional Irish children’s tune called The Dingle Regatta being performed by Cairde Chualann at the 2013 All Ireland Fleadh Cheoil in Derry. Cairde Chualann is a group of traditional musicians and dancers who hail from the counties Dublin, Wicklow and Kildare. The group has several flute players who play Martin Doyle flutes and we are told that there were three six-keyed, one nine-keyed and one keyless flute being played in this piece. The harpist is Claire O’Donnell who accompanies Martin Doyle (flute) playing a lovely tune that can be heard here: The Blue Hills of Antrim »

Enjoy the music…