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Martin Doyle, Tanzania And The Music Tree

Flutes for Africa

Mpingo logger, Tanzania.

Martin Doyle is bound for the East African nation of Tanzania this coming August to take part in the production of a radio programme.

Tanzania is home to the famed Mpingo tree from which the highly valued timber known as African Blackwood is harvested. This wood has been one of the first choices for woodwind instruments such as clarinets, oboes, bag pipes and flutes for over 150 years now, but was also valued by furniture making as far back as the time of the Egyptians. It is a timber favoured for it’s density, durability and exceptional tonal qualities.

Martin Doyle is to feature in a radio programme to be called The Music Tree that is being produced for the Irish radio station Newstalk. The project is being headed by Nina Perry (who also produced Sounding Post which looks at the use of wood for instruments and featured several instrument makers including Martin Doyle) for Falling Tree Productions. This from Nina Perry:

Nina Perry – music, sound and radio.

“The Music Tree is to accompany Irish flute-maker Martin Doyle from County Clare to eastern Tanzania where he plans to demonstrate Irish flute making so that accomplished local craftsmen might learn his skills to boost the economy surrounding this rare wood and, for the first time, hear the sound of instruments made from the local blackwood trees.”

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New Music Samples Added

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Just added to Martin Doyle Flutes: three music samples from Elizabeth Petcu’s debut solo flute album, Just Me. Elizabeth Petcu is a good friend of Martin Doyle’s who lives in Bray, County Wicklow. They also constitute two thirds of the music trio Rune.

Elizabeth Petcu’s debut album, Just Me.

Former Principal Flute (25+ years) with the RTE Concert Orchestra, Elizabeth Petcu studied with Professor Doris Keogh at The Royal Irish Academy of Music in Dublin. She has an honours music degree from Trinity College Dublin and holds a Masters in Music Therapy from the University of Limerick. Just Me is a distillation of all these experiences.

The fourteen tracks that comprise Just Me were recorded at the acoustically exceptional Calary Church near Roundwood in County Wicklow and the album is a lovely interpretation of Elizabeth’s favourite repertoire.

Elizabeth recorded Just Me on a Muramatsu concert flute fitted with a wooden headjoint and a keyless simple system Irish flute. Both the wooden headjoint and the Irish flute were made by Martin Doyle. The three tracks that have been added to Martin Doyle’s website are those that Elizabeth recorded using her Martin Doyle keyless Irish flute.

Elizabeth Petcu playing a Martin Doyle flute.

The two Telemann tracks are particularly worth noting as they were technically challenging in that Elizabeth decided to perform them on her Martin Doyle keyless simple system flute – just six open holes with lots of half-holing and cross fingering – quite an accomplishment! Throughout this album, Elizabeth Petcu exhibits her capacity as a mature flute player of great technical capacity that is coupled to a heart-felt passion and sensitivity for her selection. Just MeDebussy, Telemann, Bozza, Bach, Ibert, Honegger, Bates and Karg-Elert – with a traditional Irish air as a fitting finale.

The three tracks can be heard here: Flute Music – Elizabeth Petcu »

Our gratitude to Elizabeth Petcu for her kind permission to display these tracks.

Martin Doyle, Sri Chinmoy And The Royal Albert Hall

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Martin Doyle has not performed at the Royal Albert Hall, but he has been on the stage – and so have his flutes…

Martin Doyle presents Sri Chinmoy with a three keyed flute on the stage of the Royal Albert Hall.

On October 17, 2003, Sri Chinmoy offered a peace concert at the Royal Albert Hall in London and Martin Doyle went to see the Master perform. One of Sri Chinmoy’s students from New York had commissioned Martin to make a flute for Sri Chinmoy and he was invited to stay behind for a private post-concert function and an opportunity to present the instrument to Sri Chinmoy personally. It was a special order D flat three-key flute made of African Blackwood.

After the concert Sri Chinmoy remained on the stage while his students – several hundred in number that had come from all over the world to be at the concert – were seated in the auditorium. Martin assembled and presented the new flute to Sri Chinmoy and the Master played it for a while. He was very pleased to meet Martin and very grateful to him for the care and effort that went into creating the one-off flute. For his part, Martin was very honoured to have met Sri Chinmoy in such a way and commented that it was a unique moment in his life.

Martin Doyle watches as Sri Chinmoy tries the new flute.

Audio tracks from Sri Chinmoy’s 2003 concert can be heard here:
Sri Chinmoy at the Royal Albert Hall, London »

The second event connecting Martin Doyle with the Royal Albert Hall was also a concert but not one that he personally attended. Two of his flutes were present though.

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Martin Doyle Flutes Updates

Introducing Gwenn Frin

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Gwenn Frin

Gwenn Frin is a wooden flute player who has been assisting Martin Doyle for the past few months and learning about the art of flute making. Originally from Brittany in France, a cultural region that has historic ties to the Celts and also has a very strong culture of folk music, Gwenn fell in love with the simple system wooden flute (also known as Irish flute) at an early age. The instrument has been an major part of her life ever since and has brought her to many countries around the world including Ireland, Korea and the United States.

Gwenn first performed with the Cercle Celtique de Rennes (who are coming to Cork in July of this year) where she was introduced to the traditional music and dances of Brittany before playing for the dancers themselves. Her true professional debut were with the band Beaj Iskis in the early 1990s, which toured the Fest Noz scene in Brittany for four years. Gwenn moved to Galway, Ireland in 1998, drawn to the roots of her passion, and took classes with renowned flute player Harry Bradley.

Gwenn Frin working at the lathe.

In 1999, Gwenn moved to Dublin to concentrate solely on her flute playing while completing a Higher National Diploma In Traditional Music performance (Ceoltóir) directed by flute player Paul McGrattan. This last experience led her to doing a Master’s degree in Music and Media Technologies in Trinity College, Dublin. These amazing two years transformed her musical understanding and experience and opened up her musical horizons not only to contemporary and electroacoustic music, but also to composition.

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Irish Flute From New Zealand Wood

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Martin Doyle playing the Kanuka flute.

Here I am in County Clare, Ireland, and staying with my friend Martin Doyle for a few days. I have brought Martin three sticks of Kanuka wood that were kindly given to me by Paul Whinray – a recorder maker who lives in West Auckland, New Zealand. The Kanuka wood was cut, bored and turned into round sticks by Paul in the late 1980s so it is well cured.

Martin set me to work on preparing the sticks and with the kind guidance of his son Ógi, and Martin doing all the critical work, we produced a wonderful flute. It has a lovely tone (milder than the hardwoods like African Blackwood and Cocus) that I am sure will develop nicely with playing. The end cap of the flute is made of Cocus wood. Here’s a look at it:

Martin Doyle Irish flute made from New Zealand kanuka wood – click the image to see a larger version.

News – Martin Doyle Flutes

News, articles and updates relating to the Irish flute maker Martin Doyle.

Tag Archives: wooden

Martin Doyle, Tanzania And The Music Tree

Flutes for Africa

New Music Samples Added

Martin Doyle, Sri Chinmoy And The Royal Albert Hall

Martin Doyle Flutes Updates

Introducing Gwenn Frin

Irish Flute From New Zealand Wood

Recently Added: Wooden Head Joints

Wooden Headjoint Images On Flickr

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