Tag Archives: flutes

A Gift From Cathal McConnell

Willie Clancy playing the pipes.

With the Willie Clancy Summer School happening at Miltown Malbay in the County Clare each year, the middle of summer becomes a busy time for Martin Doyle. There is a steady stream of visitors to his house near Liscannor and, when he gets a chance, Martin heads into Miltown Malbay to socialise and catch a session or two. Flutes to deliver, orders to take – the busy life of an artisan flute maker!

During the Willie Clancy, Miltown Malbay is packed with hundreds of visitors, musicians, singers and dancers, young and old, from all over Ireland, Scotland and further afield. Standing room only! Traditional music flows like the water in the rivers and streams of Ireland and a unique traditional culture lives, breathes and is propagated during this ‘gathering of the clan’.

Cathal McConnell (photo credit*)

One visitor Martin had the opportunity to welcome into his home this year was the renowned flute player, tin whistler and singer Cathal McConnell, who gifted to Martin a copy of his latest CD, Auld Springs Gies Nae Price. Needless to say, Martin was thrilled at Cathal’s kind gesture. Auld Springs Gies Nae Price is a joint effort between Cathal McConnell and Duncan Wood. A multi-instrumentalist musician, artist and author, Duncan Wood hails from the North East of Scotland and plays fiddle on the album.

Like most developed flute players, it is probably a safe bet that Cathal has more than one flute in his quiver. If that is the case, we know that at least one of them is the Martin Doyle C flute as it features in one of the tracks on Auld Springs Gies Nae Price and with Cathal on the CDs jacket photos. The track in question (track eight) comprises two lovely airs, The Fairy Strain and The Hon Mrs Maule of Panmure’s Favourite, and is introduced in the CDs accompanying booklet thus:

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New Testimonials Received

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Thumbs Up! I am sure that it is always very encouraging for any craftsman to receive some positive feedback from his clients. After all, most instrument makers spend many hours of each week alone in their workshops labouring to create something that they hope will please the person they are making it for – and in the case of a musical instrument, those who listen to it being played. So when a happy client offers a positive comment, it is always very satisfying, encouraging and brings great joy to the recipient. Two such comments have recently been added to Martin Doyle’s website from happy clients in America.

Amanda Drinsinger — flute player from the USA

“I received the flute early last week. It sounds rich and beautiful and it is very beautiful and of excellent craftsmanship! I am extremely pleased with your work and I think you are the world’s best celtic flute craftsman! I have not played or seen in person any other instrument that matches the sound, beauty and quality put into this flute!”

Ruth Yates — flute player from Hollywood, Maryland, USA

“Hi Martin. I just wanted to tell you that the rosewood flute I purchased from you in October [2009] is so lovely. I found it very easy to play and the tone is so mellow and nice. Don and I really liked coming to your home and seeing your workshop and picking up the flute. It was such a genuinely good experience meeting you and seeing how the instruments come together. Regards, Ruth Yates.”

More comments from flute players all over the world can be viewed here: Testimonials »

Baroque Flutes by Martin Doyle

Testimonial From Tomás MacUileagóid

More Testimonials

Testimonials from flute players all over the world can be viewed here: Testimonials »

The Tanzanian Adventure Unfolds

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Martin Doyle in Tanzania.

Martin Doyle is currently visiting Tanzania with Nina Perry of Falling Tree Productions to make a radio documentary called The Music Tree for the Irish radio station Newstalk. The Music Tree will feature Martin Doyle as an instrument maker visiting the area of East Africa where the Mpingo (African Blackwood) trees grow. Since the nineteenth century African Blackwood has been a timber favoured for woodwind instruments as its density, tonal properties, stability and durability are incomparable.

This trip is in its own way an historical occasion as many of the local people of Tanzania, some of whom are involved in burgeoning Mpingo conservation projects, have never before met a European craftsman who uses their timber to make musical instruments. Martin accomplished the task of making a flute with some of the local Mpingo carvers on the third day of his visit and by all accounts they were enthralled when it was played to them.

Nina Perry is kindly authoring a blog dedicated to the trip – Music Tree – so that we distant onlookers can keep abreast of events. No story, small or large, is complete without a picture or two, so here is one from Nina’s blog:

Street scene in Dar es Salaam, Tanzania.

Tanzania Update

Martin Doyle, Tanzania And The Music Tree

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Flutes for Africa

Mpingo logger, Tanzania.

Martin Doyle is bound for the East African nation of Tanzania this coming August to take part in the production of a radio programme.

Tanzania is home to the famed Mpingo tree from which the highly valued timber known as African Blackwood is harvested. This wood has been one of the first choices for woodwind instruments such as clarinets, oboes, bag pipes and flutes for over 150 years now, but was also valued by furniture making as far back as the time of the Egyptians. It is a timber favoured for it’s density, durability and exceptional tonal qualities.

Martin Doyle is to feature in a radio programme to be called The Music Tree that is being produced for the Irish radio station Newstalk. The project is being headed by Nina Perry (who also produced Sounding Post which looks at the use of wood for instruments and featured several instrument makers including Martin Doyle) for Falling Tree Productions. This from Nina Perry:

Nina Perry – music, sound and radio.

“The Music Tree is to accompany Irish flute-maker Martin Doyle from County Clare to eastern Tanzania where he plans to demonstrate Irish flute making so that accomplished local craftsmen might learn his skills to boost the economy surrounding this rare wood and, for the first time, hear the sound of instruments made from the local blackwood trees.”