Tag Archives: Flute

Introducing The Aiki Céilí Band

Double bass (Frank Healy) and flute (Martin Doyle) in action.

Double bass (Frank Healy) and flute (Martin Doyle) in action.

As recently posted on this weblog, Martin Doyle featured on a radio programme called The Music Tree. As the The Music Tree is about the Mpingo (African Blackwood) tree and its popular timber that is used extensively for the production of woodwind instruments, one of the requirements for the programme was some Irish traditional music that was predominated by the Irish flute. This task fell upon Martin Doyle to organise.

Asides from making great Irish flutes, Martin is also an Aikido instructor who offers classes at the town hall in Liscannor, County Clare – the Aikido group is known as Clare Aikikai (defunct as of 2022). One of the many wonderful aspects of the County Clare is that music is an integral part of the culture there – musicians, singers and story tellers abound in Clare as they do all over the west of Ireland. And so it is with Martin’s Aikido group. Four of the members are strong traditional musicians so Martin got them together after an Aikido session one evening and they recorded a very nice piece of traditional music – and The Aiki Céilí Band was born!

The Aiki Céilí Band consists of Martin Doyle (flute), Éamon McCarthy (flute), Frank Healy (double bass) and Gabrielle Cappachione (guitar). Featured on The Music Tree documentary, the piece consists of two reels and can also be listened to here: The Aiki Céilí Band – Flute Music »

Beethoven And Me: An Interview Worth Hearing

By way of introduction, Martin Doyle has been good friends with Elizabeth Petcu for many years now. Both hail from the seaside town of Bray in County Wicklow and were neighbours. Although Martin now resides in County Clare, they still see each other frequently and perform together as Rune – a talented trio completed by Debbie Armstrong. Elizabeth plays a Muramatsu concert flute with a wooden head joint and also a simple system Irish flute (see them here: Elizabeth Petcu’s flutes) both of which are made of Cocus wood and hand-crafted by Martin Doyle. Elizabeth served for over twenty five years as principal flute with Ireland’s RTE Concert Orchestra until a hearing problem (otosclerosis) sidelined her career.

Ludwig von Beethoven and Elizabeth Petcu

Ludwig von Beethoven and Elizabeth Petcu – hearing loose a challenge, but not an impairment.

And what of the Elizabeth Petcu / Ludwig von Beethoven connection? Well, there appear to be common threads running through both lives. Sure they don’t share the same age, address, flute maker or historical gravitas, but they do share a passion for music – the universal language. Ludwig composed his own music of course, and Elizabeth has performed many of these creations over the span of her professional career.

They also share a similar adversity. Elizabeth Petcu suffers from a condition known as otosclerosis, which is the most common cause of progressive deafness in young adults. Some consider otosclerosis to be the most likely cause of Beethoven’s deafness. Whatever the case, it is well documented that Beethoven went on composing despite near complete deafness. In Elizabeth’s case too, when her hearing impediment forced her into retirement from the RTE, she has kept up with her practice and performs wherever she can with an enduring energy, cheerfulness and enthusiasm that is fuelled by a great love for sharing her gift of music with others. Composers must compose, performers must perform. Audiences, large or small, receive the fruit of this wonderful synthesis.

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Testimonial From Tomás MacUileagóid

Website Updates

Tomás MacUileagóid, a flute player, fiddler and harp maker from Dublin, Ireland, has kindly sent Martin Doyle a testimonial which has been added to Martin’s website. Tomás recently purchased a keyed flute from Martin Doyle.

“Hi Martin,
I have thought a lot about writing to you since I got my keyed flute from you. I wanted to really feel my way into it and explore what it has to offer. I am astounded by the range of colour available, just waiting for me to exploit it. The tones available far exceed what I could get on the flute I got off you 10 years ago. I wanted the keys because I have a particular interest in the music of east Galway, Paddy Kelly and Paddy Fahey in particular, and you can’t really manage that without the F natural. Obviously since I have a keyed flute I notice other flutes much more, and I am continuously impressed by your standard of craftsmanship, and I understand how difficult it is to maintain such a high standard. Well done!! I don’t know what motivates you as an instrument maker, but I enjoy being able to create something that is unique with its own voice, that will hopefully live long after me and in some small way contribute to making the world a better place. I think you have already achieved this. Thank you.
Regards,
Tomás.”

Very thoughtful and insightful words from a fellow instrument maker — thank you for your kind and encouraging comments Tomás.

More Testimonials

Testimonials from flute players all over the world can be viewed here: Testimonials »

Irish Tunes On A Martin Doyle Flute

Here is a video clip of Irish musician Ciarán Mac Fheidhlimidh playing Irish traditional music on a Martin Doyle flute. Unfortunately we do not get to see Ciarán playing; rather it is an audio clip played under a still photo of a flute that not a Doyle. The tunes that Ciarán is playing in this flute video are The Bag Of Spuds and The Boys On The Hilltop – both reels. Martin Doyle was quite taken with Ciarán’s flute playing and we hope you enjoy it as well.

More video clips of musicians playing Martin Doyle flutes can be viewed here: Martin Doyle Flutes | YouTube »

Muireann Nic Amhlaoibh Testimonial

Muireann Nic Amhlaoibh playing fulte.

Muireann Nic Amhlaoibh playing fulte.

Muireann Nic Amhlaoibh is an accomplished flute and whistle player and singer from Dún Chaoin in County Kerry, Ireland. She is the lead singer and flute player with the traditional Irish music group Danú, and is a tutor at the Irish World Academy of Music and Dance at the University of Limerick.

Muireann plays a Martin Doyle flute and has been kind enough to offer a testimonial for Martin’s website. She has also sent us a sample of her flute playing from the album Dual – a collaboration with Julie Fowlis, Éamon Doorley and Ross Martin that was released in November of 2008. Muireann’s testimonial reads:

“I have been playing a Martin Doyle African Blackwood ‘D’ flute since 2001. As a touring musician I am delighted with its reliability and consistency of tone, no matter where I am in the world. The flute is perfectly in tune which is very important when playing in a band context. I also love the fact that it can produce a variety of sounds from a powerful bark to a sweeter, clearer tone, making it a very expressive instrument and suitable for all kinds of music from wild Kerry Polkas to more subtle slow airs. I always recommend Martin’s flutes to my flute students.”

Muireann’s music sample can be heard here: Muireann Nic Amhlaoibh – Flute Music »

More testimonials from flute players all over the world can be viewed here: Testimonials »

Elizabeth Petcu At National Gallery

Elizabeth Petcu

Elizabeth Petcu in concert.

On Sunday, August 23, Martin Doyle‘s good friend Elizabeth Petcu is scheduled to perform highlights from her debut solo flute music album Just Me at the National Gallery of Ireland in Dublin.

For over 25 years Elizabeth served as the principal flautist with Ireland’s RTÉ Concert Orchestra until a hearing problem (otosclerosis) sidelined her career. This from Elizabeth’s web site:

Irish flute player Elizabeth Petcu seeks new ways of exploring and presenting music and her debut solo album Just Me captures in essence Elizabeth’s true authentic sound through a brilliant interpretation of her favourite repertoire.

Particularly innovative is the use of the keyless wooden Irish flute for the Telemann pieces (tracks 3 and 4). The Liam Bates composition, Moth Manoeuvres (track 12), was commissioned by Helen Gaynor for her art exhibition in May 2007 — a project that was part-funded by the Wexford County Council Arts Department and the Arts Council. Elizabeth premiered Moth Manoeuvres at Newtownbarry House in Bunclody, County Wexford. Just Me also includes the music of Karg-Elert, Bach, Debussy and others.

Elizabeth will be performing at the National Gallery of Ireland on a Muramatsu concert flute fitted with a wooded head joint made by Martin Doyle and a traditional Irish flute that was also made by Martin Doyle.

The concert will begin at 3 pm in the Shaw Room, National Gallery of Ireland, Merrion Square West, Dublin. Tickets are €10, concessions €7.

Elizabeth Petcu Featured In The Irish Times

Elizabeth Petcu playing a Martin Doyle simple system wooden (Irish) flute.

Elizabeth Petcu playing a Martin Doyle simple system wooden (Irish) flute.

Arminta Wallace has recently published an article for the Irish times about Martin Doyle’s good friend Elizabeth Petcu who resides in the coastal town of Bray in the County Wicklow. For over 25 years Elizabeth served as the principal flautist with Ireland’s RTÉ Concert Orchestra until a hearing problem (otosclerosis) sidelined her career. Despite this impediment, Elizabeth has gone on to record a solo flute music album, Just Me, and has formed the inspirational music ensemble Rune with Martin Doyle (flutes) and Deborah Armstrong (piano). Here are two excerpts from Arminta Wallace’s article:

The ability to hear plays such a crucial role in making music that it’s almost impossible to imagine how a professional musician feels when they’ve been diagnosed with a condition called otosclerosis, or progressive deafness. “I’m in good company, apparently,” says the flautist Elizabeth Petcu with a wry smile. “Beethoven is thought to have had it as well.” […] Petcu formed a trio with the pianist Deborah Armstrong and the traditional flutemaker and player Martin Doyle. They call themselves RUNE, and they take an innovative approach to live performance; their concerts blend visual imagery, poetry and prose with various different kinds of music, from baroque to improvisation via the slow air. “I wanted to keep playing. But I didn’t want to do the very conventional, formal kind of classical recital,” she says. “So what we do is, we pick a theme and tie the music together with words and the beautiful visual imagery of Martin’s photographs.

The entire article can be viewed here: An Irishwoman’s Diary »