Here’s a lovely new tune played by Joe Doyle – a jig he composed in honour of his father, the flute maker Martin Doyle. Joe is playing a keyless Martin Doyle D flute made from Brazilian rosewood.
Barry Conaty is a young flute player from County Cavan. In July he won first place in both the U 12 flute and the U 12 flute slow air competitions at the Ulster Fleadh 2012. Barry plays a Martin Doyle flute and recently sent Martin a very kind and eloquent note regarding his experiences and feelings about the flute.
Hi Martin,
Thank you so much for the time you spent with me and my family when we called to your house & workshop. I really enjoyed playing the flute with you.
While competing at the Ulster Fleadh, the adjudicator continuously emphasised the importance of having a flute with good tone whilst suiting your musical needs. When he announced the winner he commented on the excellent tone of my flute and then said that my flute had the best tone of the competition. I was awarded First Place in the U12 flute and U12 flute slow air competitions [2012]. The thing he looked for most was good tone and confident playing. I get my confidence and good tone from Martin Doyle flutes!!!!!!!
Martin Doyle and Barry Conaty share some tunes in Martin’s workshop.
Here is a video clip of Barry Conaty playing his Martin Doyle flute.
More comments from flute players all over the world can be viewed here: Testimonials »
As always, I was very pleased to receive a call from Martin Doyle via Skype this morning. The distance between Martin in Ireland and myself in New Zealand is very close to 12,000 miles. Skype allows us the illusion that we are sitting across the kitchen table from each other and so we chat regularly and sometimes play music to each other. Today our conversation went something like this:
“Good morning Martin.”
“Good evening Shardul – just a minute…”
… Martin disappears briefly and reappears with an instrument that I at first thought was a bouzouki …
Luthier and boat builder Nikos Apollonio with one of his bell citterns.
“No, it’s a cittern. Just got it. The maker, Nikos Apollonio, who is from Maine, dropped it off himself this morning and I haven’t been able to put it down since!”
Martin proceeded to play some lovely tunes on his brand spanking new cittern – a beautifully made ten string instrument with a spruce sound board, walnut body and rosewood fretboard. It looked stunning and sounded amazing! Martin commented on its quality and simplicity.
Over the years I have watched and listened to Martin sing, play whistle, Irish flute, baroque flute, concert flute, banjo, mandolin and bouzouki – now the cittern. In my opinion, he is a very good musician who plays music from his heart and soul with a real love for quality of sound.
“What attracted you to the cittern”, asks I.
Róisín Elsafty (sean-nós singer), Siobhán Armstrong (harp) and Ronan Browne (Uilleann pipes, flute and whistle) perform together as Elsafty, Armstrong and Browne (EAB) and bring to life the unique sounds of early Irish music.
From left: Ronan Browne (Uilleann pipes), Siobhán Armstrong (harp) and Róisín Elsafty (sean-nós singer).
This trio presents the scintillating voice of one of Ireland’s finest Conamara singers, Róisín Elsafty together with the very rare and meltingly beautiful sound of the medieval Irish harp, played by Ireland’s foremost historical harper, Siobhán Armstrong, woven with the diverse colours of Ronan Browne’s flutes, whistles and 170-year-old pipes. From sparkling songs to harp laments and old pipes “pieces”, we are given a glimpse of the unique sound of early Ireland. Róisín performs evocative unaccompanied songs in the florid Conamara style, together with achingly beautiful 17th and 18th century Irish harpers’ songs with harp and flute accompaniment.
… and he says it rather well …
Composed, performed and recorded by himself and, by the way, that’s one of his father’s flutes he’s playing …
Fair play Joe …
Eimear McGeown – classical and Irish flute
We are very proud and grateful to be able to feature two tracks on Martin Doyle Flutes by the accomplished flute player Eimear McGeown. A native of County Armagh in Northern Ireland, Eimear plays both classical and Irish flutes.
This from Eimear’s website:
The Irish culture and tradition has played a major influence in Eimear’s life, starting Irish dancing at the age of three and going on to become a Northern Ireland Champion dancer. Eimear began playing whistle at the age of nine and progressed to the traditional Irish flute a year later having lessons with Sligo born flautist, Séamus Tansey.
Eimear was the Ulster Champion on the whistle when she was eleven years old and later went on to win two All Ireland Champion titles on the Irish flute both as soloist and in a trio with her brother and sister. She performs on the traditional Irish flute regularly including recitals, in the West End Show Lord of the Rings, with folk/rock band Amsterdam, session studio work in London and is currently recording a solo Celtic Crossover album.
Willie Clancy playing the pipes.
With the Willie Clancy Summer School happening at Miltown Malbay in the County Clare each year, the middle of summer becomes a busy time for Martin Doyle. There is a steady stream of visitors to his house near Liscannor and, when he gets a chance, Martin heads into Miltown Malbay to socialise and catch a session or two. Flutes to deliver, orders to take – the busy life of an artisan flute maker!
During the Willie Clancy, Miltown Malbay is packed with hundreds of visitors, musicians, singers and dancers, young and old, from all over Ireland, Scotland and further afield. Standing room only! Traditional music flows like the water in the rivers and streams of Ireland and a unique traditional culture lives, breathes and is propagated during this ‘gathering of the clan’.
Cathal McConnell (photo credit*)
One visitor Martin had the opportunity to welcome into his home this year was the renowned flute player, tin whistler and singer Cathal McConnell, who gifted to Martin a copy of his latest CD, Auld Springs Gies Nae Price. Needless to say, Martin was thrilled at Cathal’s kind gesture. Auld Springs Gies Nae Price is a joint effort between Cathal McConnell and Duncan Wood. A multi-instrumentalist musician, artist and author, Duncan Wood hails from the North East of Scotland and plays fiddle on the album.
Like most developed flute players, it is probably a safe bet that Cathal has more than one flute in his quiver. If that is the case, we know that at least one of them is the Martin Doyle C flute as it features in one of the tracks on Auld Springs Gies Nae Price and with Cathal on the CDs jacket photos. The track in question (track eight) comprises two lovely airs, The Fairy Strain and The Hon Mrs Maule of Panmure’s Favourite, and is introduced in the CDs accompanying booklet thus: