Tag Archives: player

Muireann Nic Amhlaoibh Testimonial

Muireann Nic Amhlaoibh playing fulte.

Muireann Nic Amhlaoibh playing fulte.

Muireann Nic Amhlaoibh is an accomplished flute and whistle player and singer from Dún Chaoin in County Kerry, Ireland. She is the lead singer and flute player with the traditional Irish music group Danú, and is a tutor at the Irish World Academy of Music and Dance at the University of Limerick.

Muireann plays a Martin Doyle flute and has been kind enough to offer a testimonial for Martin’s website. She has also sent us a sample of her flute playing from the album Dual – a collaboration with Julie Fowlis, Éamon Doorley and Ross Martin that was released in November of 2008. Muireann’s testimonial reads:

“I have been playing a Martin Doyle African Blackwood ‘D’ flute since 2001. As a touring musician I am delighted with its reliability and consistency of tone, no matter where I am in the world. The flute is perfectly in tune which is very important when playing in a band context. I also love the fact that it can produce a variety of sounds from a powerful bark to a sweeter, clearer tone, making it a very expressive instrument and suitable for all kinds of music from wild Kerry Polkas to more subtle slow airs. I always recommend Martin’s flutes to my flute students.”

Muireann’s music sample can be heard here: Muireann Nic Amhlaoibh – Flute Music »

More testimonials from flute players all over the world can be viewed here: Testimonials »

Just Added: A Flute Maker/Player Dyad

Martin Doyle, Desi Wilkinson and Elizabeth Petcu

Martin Doyle (flute maker), Desi Wilkinson (flute player) and Elizabeth Petcu (essayist).

In 2002, as the final semester essay undertaken to gain her Masters Degree in Music, Martin Doyle’s good friend Elizabeth Petcu wrote ‘A Phenomenological Study into the Experiences of a Flute Maker/Player Dyad’. With her kind permission, this essay has been reproduced on Martin Doyle Flutes.

This phenomenological study is an interesting and illumining insight into the relationship between a flute maker, Martin Doyle, and a flute player – in this case the renowned Irish traditional musician and music scholar, Desi Wilkinson.

The following are excerpts from Elizabeth’s essay.

From the introduction:

Discovering a flute maker’s workshop in my local town a few years ago enabled me to combine my lifelong fascination for woodwork and wood turning with my love of flutes and flute playing. Under the allure of the atmosphere in the workshop and listening to the philosophising of the maker, caused me to be curious about the “ingredients” contained in the instruments. I wondered if the experiences of the maker, as he worked, could be converted into a more tangible form. The phenomenological approach, also recently discovered, suggested itself as being a possible way to reveal the powerful, unspoken psychological processes and energies which I could palpably feel in the workshop.

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Introducing Gwenn Frin

Gwenn Frin

Gwenn Frin

Gwenn Frin is a wooden flute player who has been assisting Martin Doyle for the past few months and learning about the art of flute making. Originally from Brittany in France, a cultural region that has historic ties to the Celts and also has a very strong culture of folk music, Gwenn fell in love with the simple system wooden flute (also known as Irish flute) at an early age. The instrument has been an major part of her life ever since and has brought her to many countries around the world including Ireland, Korea and the United States.

Gwenn first performed with the Cercle Celtique de Rennes (who are coming to Cork in July of this year) where she was introduced to the traditional music and dances of Brittany before playing for the dancers themselves. Her true professional debut were with the band Beaj Iskis in the early 1990s, which toured the Fest Noz scene in Brittany for four years. Gwenn moved to Galway, Ireland in 1998, drawn to the roots of her passion, and took classes with renowned flute player Harry Bradley.

Gwenn Frin working at the lathe.

Gwenn Frin working at the lathe.

In 1999, Gwenn moved to Dublin to concentrate solely on her flute playing while completing a Higher National Diploma In Traditional Music performance (Ceoltóir) directed by flute player Paul McGrattan. This last experience led her to doing a Master’s degree in Music and Media Technologies in Trinity College, Dublin. These amazing two years transformed her musical understanding and experience and opened up her musical horizons not only to contemporary and electroacoustic music, but also to composition.

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