Here is a video clip of Irish musician Ciarán Mac Fheidhlimidh playing Irish traditional music on a Martin Doyle flute. Unfortunately we do not get to see Ciarán playing; rather it is an audio clip played under a still photo of a flute that not a Doyle. The tunes that Ciarán is playing in this flute video are The Bag Of Spuds and The Boys On The Hilltop – both reels. Martin Doyle was quite taken with Ciarán’s flute playing and we hope you enjoy it as well.
More video clips of musicians playing Martin Doyle flutes can be viewed here: Video Clips »
Ciarán is also an accomplished piper and here’s an example:
Muireann plays a Martin Doyle flute and has been kind enough to offer a testimonial for Martin’s website. She has also sent us a sample of her flute playing from the album Dual – a collaboration with Julie Fowlis, Éamon Doorley and Ross Martin that was released in November of 2008. Muireann’s testimonial reads:
“I have been playing a Martin Doyle African Blackwood ‘D’ flute since 2001. As a touring musician I am delighted with its reliability and consistency of tone, no matter where I am in the world. The flute is perfectly in tune which is very important when playing in a band context. I also love the fact that it can produce a variety of sounds from a powerful bark to a sweeter, clearer tone, making it a very expressive instrument and suitable for all kinds of music from wild Kerry Polkas to more subtle slow airs. I always recommend Martin’s flutes to my flute students.”
Gwenn Frin is a wooden flute player who has been assisting Martin Doyle for the past few months and learning about the art of flute making. Originally from Brittany in France, a cultural region that has historic ties to the Celts and also has a very strong culture of folk music, Gwenn fell in love with the simple system wooden flute (also known as Irish flute) at an early age. The instrument has been an major part of her life ever since and has brought her to many countries around the world including Ireland, Korea and the United States.
Gwenn first performed with the Cercle Celtique de Rennes (who are coming to Cork in July of this year) where she was introduced to the traditional music and dances of Brittany before playing for the dancers themselves. Her true professional debut were with the band Beaj Iskis in the early 1990s, which toured the Fest Noz scene in Brittany for four years. Gwenn moved to Galway, Ireland in 1998, drawn to the roots of her passion, and took classes with renowned flute player Harry Bradley.
Gwenn Frin working at the lathe.
In 1999, Gwenn moved to Dublin to concentrate solely on her flute playing while completing a Higher National Diploma In Traditional Music performance (Ceoltóir) directed by flute player Paul McGrattan. This last experience led her to doing a Master’s degree in Music and Media Technologies in Trinity College, Dublin. These amazing two years transformed her musical understanding and experience and opened up her musical horizons not only to contemporary and electroacoustic music, but also to composition.