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The Flute Maker And The Cittern

As always, I was very pleased to receive a call from Martin Doyle via Skype this morning. The distance between Martin in Ireland and myself in New Zealand is very close to 12,000 miles. Skype allows us the illusion that we are sitting across the kitchen table from each other and so we chat regularly and sometimes play music to each other. Today our conversation went something like this:

“Good morning Martin.”

“Good evening Shardul – just a minute…”

… Martin disappears briefly and reappears with an instrument that I at first thought was a bouzouki …

Nikos Apollonio

Luthier and boat builder Nikos Apollonio with one of his bell citterns.

“No, it’s a cittern. Just got it. The maker, Nikos Apollonio, who is from Maine, dropped it off himself this morning and I haven’t been able to put it down since!”

Martin proceeded to play some lovely tunes on his brand spanking new cittern – a beautifully made ten string instrument with a spruce sound board, walnut body and rosewood fretboard. It looked stunning and sounded amazing! Martin commented on its quality and simplicity.

Over the years I have watched and listened to Martin sing, play whistle, Irish flute, baroque flute, concert flute, banjo, mandolin and bouzouki – now the cittern. In my opinion, he is a very good musician who plays music from his heart and soul with a real love for quality of sound.

“What attracted you to the cittern”, asks I.

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Róisín Dubh Performed By EAB

Róisín Elsafty (sean-nós singer), Siobhán Armstrong (harp) and Ronan Browne (Uilleann pipes, flute and whistle) perform together as Elsafty, Armstrong and Browne (EAB) and bring to life the unique sounds of early Irish music.

Elsafty, Armstrong and Browne

From left: Ronan Browne (Uilleann pipes), Siobhán Armstrong (harp) and Róisín Elsafty (sean-nós singer).

This trio presents the scintillating voice of one of Ireland’s finest Conamara singers, Róisín Elsafty together with the very rare and meltingly beautiful sound of the medieval Irish harp, played by Ireland’s foremost historical harper, Siobhán Armstrong, woven with the diverse colours of Ronan Browne’s flutes, whistles and 170-year-old pipes. From sparkling songs to harp laments and old pipes “pieces”, we are given a glimpse of the unique sound of early Ireland. Róisín performs evocative unaccompanied songs in the florid Conamara style, together with achingly beautiful 17th and 18th century Irish harpers’ songs with harp and flute accompaniment.

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Three Instrument Makers In Ennistymon

3 Instrument Makers (and their music)

3 Instrument Makers (and their music).

The west of Ireland is particularly strong in the tradition of music and County Clare is no exception being liberally blessed with gifted musicians and artisans – past, present and, no doubt, into the future. As a result, the county is host to many events that reflect, celebrate and perpetuate this living tradition of music.

One such event (which Martin Doyle is very honoured and excited to be part of) is soon to be hosted by the The Courthouse Gallery – Ennistymon. Opening from the 19th to the 26th of November, 3 Instrument Makers (and their music) is an exhibition featuring the work and music of Martin Doyle (flute), Davey Spillane (Uilleann pipes) and Paul Dooley (harp) who all live within a bulls roar of Ennistymon.

In conjunction with the year of the craft, this unique exhibition will offer the visitor a multi media experience of film, photography, audio, as well as a chance to see a display of the exquisitely crafted instruments made by each of these musicians.

Photographer Christy McNamara, well known for his photographs of traditional musicians will be collaborating in this exhibition with a series of commissioned photographs. Also included will be a short film made by Packmule Films documenting each of the musicians at work in their workshops. In conjunction with North Clare Historical Society there will be a lecture Monday 21st at 8pm by Eugene Lambe, maker of flutes and pipes, collector of tunes and stories from Kinvara in the County Galway. This exhibition will be held in the old courthouse building in Ennistymon which has been beautifully renovated into a new art space.

Read more: 3 Instrument Makers (and their music) »

Details will no doubt be posted on the The Courthouse Gallery website »

Aoife Doyle At Classical Twist

Aoife Doyle

Aoife Doyle

Martin Doyle speaking to his webmaster today:

“I have an Aikido course all day on the 12th in Galway and when that’s over I’m straight into the car and down to Limerick. My daughter Aoife is singing at the UL concert hall and I’m really looking forward to it!”

Aoife Doyle will be performing as a guest singer in Vladimir Jablokov‘s Classical Twist concert at the University Concert Hall in Limerick on November 12, 2011.

Aoife trained formally as a jazz singer at the Newpark Music Centre in Dublin but sings in a range of styles including jazz, blues and folk. She is also an accomplished fiddle and tin whistle player.

Fingering Charts Now Available

Martin Doyle playing a keyless D fluteIn the interests of serving those who play simple system flutes, Martin Doyle has added fingering charts for simple system keyless D flutes to his website. Printable PDF versions of the fingering charts are also available to download.

These fingering charts are inspired by the fingering charts published by Johann Joachim Quantz (1697–1773) in his treatise On Playing the Flute which was first published in 1752. Martin Doyle studied Quantz at the beginning of his flute making career and found On Playing the Flute to be a great source of inspiration and information regarding simple system flutes and eighteenth century music in general.

Martin Doyle's fingering chart for simple system keyless D flutes

Martin Doyle’s fingering chart for simple system keyless D flutes

Martin Doyle’s fingering charts can be viewed here: Fingering Charts For Keyless D Flutes »

GRATITUDE

While Martin Doyle essentially designed these fingering charts, a huge THANK YOU has to go to our good friend Asankita in New Zealand for patiently and diligently creating the fingering chart graphics (as per above) that are now on Martin’s website. Thank you for your many kindnesses brother – you are in line for sainthood!

FSC Certified Blackwood Arrives

Martin Doyle has long dreamed of making flutes using timbers that have been produced in environmentally friendly and socially equitable modes. In recent years, Martin has been involved in a number of projects that have highlight a movement toward that reality and he has participated in the making of three radio documentaries highlighting the sustainable use of African BlackwoodMpingo as the valued tonewood is known in east Africa. Martin is the first flute maker to produce an Irish flute from FSC certified African Blackwood having received a small amount of the timber some months ago.

Martin Doyle with the newly arrived FSC certified African Blackwood.

Martin Doyle with the newly arrived FSC certified African Blackwood.

This week Martin received his first full shipment of FSC certified African Blackwood which prompted the following comment:

“The arrival of this timber gives us the feeling of working in a sustainable environment that is genuinely beneficial to the people of Tanzania and we are very happy to be participating in a chain of events that has a positive outcome for everyone involved. It’s a great joy!”

Martin thinks that this shipment of timber has been harvested from the sustainably managed Mpingo forests around the village of Kikoli in eastern Tanzania – an area Martin visited during his trip to Tanzania in 2009. Martin’s plan is to be using FSC certified African Blackwood exclusively from the beginning of 2012 as his present stock of material diminishes. The flutes made from the FSC certified timber will be stamped accordingly.