Tag Archives: Siobhán Armstrong

A Break, A Birthday, Some Tunes

A BREAK

Martin Doyle will be unavailable for a few weeks from Sunday August 05 as he is going to hospital for an operation. Apologies for any inconvenience.

A BIRTHDAY

Martin DoyleSunday August 05 also happens to be Martin’s birthday – he has seen 67 summers and looks 50! Happy birthday and congratulations Martin! Thank you for the many good and great qualities that you offer to the world through what you do and who you are.

“When people play music, they offer people flowers. When people make flutes, they offer people seeds.” – Martin Doyle.

SOME TUNES

And what’s a birthday without some music? The following tune is called ‘King Of The Blind’ – a Turlough O’Carolan composition that featured in Nicholas Carolan’s facsimile edition of John & William Neal, A Collection of the Most Celebrated Irish Tunes proper for the violin, German flute or hautboy that was first published in 1724. For this piece Martin Doyle is playing one of his own baroque flutes.


For more samples of musicians playing Martin Doyle’s flutes, kindly visit this page: Flute Music »

Here is a lovely rendition of King of the Blind played on harp by Ann Heymann – the instrument that Turlough O’Carolan played during his lifetime.

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Róisín Dubh Performed By EAB

Róisín Elsafty (sean-nós singer), Siobhán Armstrong (harp) and Ronan Browne (Uilleann pipes, flute and whistle) perform together as Elsafty, Armstrong and Browne (EAB) and bring to life the unique sounds of early Irish music.

Elsafty, Armstrong and Browne

From left: Ronan Browne (Uilleann pipes), Siobhán Armstrong (harp) and Róisín Elsafty (sean-nós singer).

This trio presents the scintillating voice of one of Ireland’s finest Conamara singers, Róisín Elsafty together with the very rare and meltingly beautiful sound of the medieval Irish harp, played by Ireland’s foremost historical harper, Siobhán Armstrong, woven with the diverse colours of Ronan Browne’s flutes, whistles and 170-year-old pipes. From sparkling songs to harp laments and old pipes “pieces”, we are given a glimpse of the unique sound of early Ireland. Róisín performs evocative unaccompanied songs in the florid Conamara style, together with achingly beautiful 17th and 18th century Irish harpers’ songs with harp and flute accompaniment.

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