Irish flautist Eimear McGeown has just returned to Ireland from the Budapest Flute Academy in Hungary and she stopped in for a quick visit with Martin Doyle at his workshop in the County Clare today. As is often the case when musicians get together, one thing led to another and this took place…
Martin Doyle is always grateful to receive feedback on his work as a flute maker and he was thrilled to read a post on the Facebook page of Irish flautist Eimear McGeown recently with regards to a wooden headjoint that he made for Eimear’s concert flute. It runs thus:
“Really enjoying my new Martin Doyle Flutes wooden headjoint for my classical flute!!! Have lots of really exciting new music to learn on it for the Budapest recital [Eimear is offering a recital and masterclass at the Budapest Flute Academy in Hungary, March 10—13, 2016], including two new pieces written for me by Alicia Hart and Philip Hammond!”
We look forward to hearing more from Eimear in the near futue and wish her well in Budapest.
For more information, kindly visit: Wooden Headjoints for Concert Flutes »
We recently received a message from our Kiwi friend Shardul that ran thus:
The attached article was posted on a blog that has now gone the way of the dinosaurs, struck by the asteroid of disinterest. It is about my own experience and views on music, the importance of finding an instrument that suits ones nature, needs and abilities, and how I got started playing the flute – which is where you come in to the picture. Anyway, if you feel that it is a story worth telling, perhaps your blog would be a good home for my humble scribblings. I shall leave it in your hands to do with as you wish.
And so, we present…
Finding Your Instrument
Have you ever noticed that some people seem to be blessed with the wonderful ability to get music out of just about any musical instrument they lay their hands on? (I have a friend who I swear could wring a tune from a damp sponge if he wanted to!) Then there are those of us who, though devoted music lovers, struggle to express ourselves even on one instrument. The later is my category – or so I thought.
“Music; the greatest good that mortals know, and all of heaven we have below.”
– Joseph Addison.
For those who are left in awe of the musically gifted creed, we may be doing them and ourselves something of a disservice. First of all, we have not witnessed the many hours of practice that these ‘fortunate maestros’ have put into their music training. Some survive on raw talent but most have to work hard at it. Secondly it is a fatal mistake to compare oneself to others – probably the numero uno inspiration killer – because we develop the ‘Oh, I could never ever be like that’ syndrome! We are all unique and carry within us the quintessential seeds of creativity. Thirdly, for those of us whose creativity-seeds are still in the early stages of germination, there is the thought that we may not yet have found our instrument – that divine implement that was made ‘just for me’, perfectly suits our personality and allows the creative outlet that we have always yearned for. There is truth in this – I know it for a fact because it took me some four and a half decades to find the instrument that I did not even know I was looking for!
So I write with the intension of encouraging kindred-souls who are still holding to the hope that they may yet get a chance to play the music that they hear and feel inside their hearts and minds. Here is my story …
Reflecting on the event, Martin commented that he had a wonderful time, met some lovely people and attended some excellent workshops and recitals.
One of the people who really impressed Martin was the Czech flute player Jana Semerádová, whose Baroque flute master class and recitals Martin attended. The following is a video clip of Jana performing a concerto in G major for flute by the Italian Baroque composer and violinist Giuseppe Tartini with members of the Collegium Marianum.
The three day 20th Sligo Festival of Baroque Music commences on September the 25th and Martin Doyle has been invited by the festival’s organisers to attend as an artisan exhibiter and to offer a flute making workshop.
Martin has been making simple system Irish flutes since the early 1980s and his first batch of Baroque flutes were crafted in 2000. Modelling his Baroque flutes on an eighteenth century Rottenburgh flute design, Martin has made several batches since and generally uses either boxwood or African Blackwood.
The 20th Sligo Festival of Baroque Music is being held at The Model in Sligo and Martin Doyle’s Flute Maker Workshop begins at 11 am on Saturday September the 26th.
More information here: 2015 Programme of Events »
A wee note highlighting a Facebook post by the brilliant Irish flautist Eimear McGeown. Eimear was recently challenged by her sister Erin to participate in the ‘Trad Tune Challenge‘ which aims to raise funds for the St. Patrick’s Hospital Foundation.
The following video clip features a traditional Irish children’s tune called The Dingle Regatta being performed by Cairde Chualann at the 2013 All Ireland Fleadh Cheoil in Derry. Cairde Chualann is a group of traditional musicians and dancers who hail from the counties Dublin, Wicklow and Kildare. The group has several flute players who play Martin Doyle flutes and we are told that there were three six-keyed, one nine-keyed and one keyless flute being played in this piece. The harpist is Claire O’Donnell who accompanies Martin Doyle (flute) playing a lovely tune that can be heard here: The Blue Hills of Antrim »
Enjoy the music…
In the previous post, we highlighted a new album that has just been produced and released by Martin Doyle’s daughter Aoife Doyle. Continuing with the theme of music in the family, this post highlights some video clips produced and posted on YouTube by Martin’s son Joe Doyle – a talented multi-instrumentalist/singer/composer and voice artist. Joe recently spent some time at Martin’s home in County Clare and recorded three video clips with local flute player Brian Morgan. Brian is playing Martin Doyle flutes and Joe is playing bouzouki.
“We had music in the house…” It is an expression that one quite often hears when Irish musicians and singers recall the good fortune of having parents, relatives and friends who would play their instruments, sing their songs and tell their stories during informal gatherings and house sessions. This ‘living tradition’ has been the catalyst for a great many people into the joyful (and sometimes storm-tossed) river that is music and Martin Doyle’s family, upstream and down, is no exception. Martin’s three children, grown adults now, are all instrumentalists and singers. Martin himself recounts the influence of his parents and grand-parents in his own development as a musician and flute maker. So the gift of music often flows down through the generations and evolves as creative self-expression in those who are blessed to receive it.
In the case of the Martin’s daughter, Aiofe Doyle, it is through the voice that the gift of music seems to have manifested itself most powerfully although it is worth noting that she is also an accomplished fiddler. This past August, Aiofe released her debut CD, This Time the Dream’s on Me, a jazz album backed by a four piece band which Journal of Music introduces with these succinct words: