As our huge posse of true believers already fully know, most if not all of our posts are really, really serious – really! But this one is just for a wee chuckle, a throw away article as it were, and will certainly appeal to those among the thousands of people who pour through our really, really serious in-depth articles each day who are musicians. Are you with us so far – or still? Good, we shall continue then …
Our good and dear and recently one-year-older friend Ronan Browne, sent us a humorous little piece of cartoonery that has probably been floating around on the internet for centuries, but because we have never seen it before, to us it is completely new and well worth sharing. Perhaps Ronan thought that the boss needed a laugh after his recent really, really serious surgery, which is very kind of Ronan. I mean, a week after major controlled-death surgery, who wouldn’t want a good side-splitting laugh, right? Right!
Gwenn Frin is a wooden flute player who has been assisting Martin Doyle for the past few months and learning about the art of flute making. Originally from Brittany in France, a cultural region that has historic ties to the Celts and also has a very strong culture of folk music, Gwenn fell in love with the simple system wooden flute (also known as Irish flute) at an early age. The instrument has been an major part of her life ever since and has brought her to many countries around the world including Ireland, Korea and the United States.
Gwenn first performed with the Cercle Celtique de Rennes (who are coming to Cork in July of this year) where she was introduced to the traditional music and dances of Brittany before playing for the dancers themselves. Her true professional debut were with the band Beaj Iskis in the early 1990s, which toured the Fest Noz scene in Brittany for four years. Gwenn moved to Galway, Ireland in 1998, drawn to the roots of her passion, and took classes with renowned flute player Harry Bradley.
Gwenn Frin working at the lathe.
In 1999, Gwenn moved to Dublin to concentrate solely on her flute playing while completing a Higher National Diploma In Traditional Music performance (Ceoltóir) directed by flute player Paul McGrattan. This last experience led her to doing a Master’s degree in Music and Media Technologies in Trinity College, Dublin. These amazing two years transformed her musical understanding and experience and opened up her musical horizons not only to contemporary and electroacoustic music, but also to composition.