Falling into the category of “better late than never”, Martin Doyle Flutes is proud to announce that our very good friend Eimear McGowen has recently (April 8, 2018) released her debut album entitled Inis – a lovely compact disc packed with stunning flute playing!
Eimear McGeown’s debut album: ‘Inis’
And, not that we wish to steal any of the thunder, we are very proud to have a small but important presence in the totally epic artwork for the Inis album cover – yes, that’s a Martin Doyle flute that Eimear is holding in her hand! But enough about us …
Inis offers tunes that span a broad range of genre – this is an album that has something for everyone. The online music store CD Baby describes Eimear’s debut album as a “Genre breaking flute album, mixing Irish traditonal, classical, pop and original compositions with filmic arrangements.” Inis features a lovely selection of traditional Irish tunes mixed with such classics as Simon and Garfunkel’s ‘The Sound of Silence’, Massive Attack’s ‘Teardrop’, Erik Satie’s ‘Gnossiennes, No. 1’, Eimear’s own variations of a 17th century melody entitled ‘La Folia’ and her first ever composition that lends it’s title to the album. In Eimear’s own words:
Edel Vaughan performing on tour with the Kilfenora Céilí Band. (Photo: Martin Connolly of Kincora Photography)
A little about Edel Vaughan …
Edel Vaughan is a native of the County Clare who has been playing music and participating in traditional and sean nós singing from an early age. She has won six All Ireland titles and has travelled the world with the renowned Brú Ború group. Edel has also travelled and worked with the dance show Ragús and has had the honour of being a member of the prestigious Clare Memory Orchestra for a specially commissioned millennium suite commemorating the death of Brian Ború in 1014 AD. Edel is also no stranger to the camera having performed on many television series including Abair Amhrán, Fleadh TV and Geantraí.
Currently touring with the renowned Kilfenora Céilí Band, Edel also teaches Irish and history at St. Flannans College in Ennis and traditional singing in many Comhaltas branches throughout Ireland. Edel released her debut album Spreagtha (Inspired) in April 2016 – here is a sample featuring several songs from the album.
“We had music in the house…” It is an expression that one quite often hears when Irish musicians and singers recall the good fortune of having parents, relatives and friends who would play their instruments, sing their songs and tell their stories during informal gatherings and house sessions. This ‘living tradition’ has been the catalyst for a great many people into the joyful (and sometimes storm-tossed) river that is music and Martin Doyle’s family, upstream and down, is no exception. Martin’s three children, grown adults now, are all instrumentalists and singers. Martin himself recounts the influence of his parents and grand-parents in his own development as a musician and flute maker. So the gift of music often flows down through the generations and evolves as creative self-expression in those who are blessed to receive it.
In the case of the Martin’s daughter, Aoife Doyle, it is through the voice that the gift of music seems to have manifested itself most powerfully although it is worth noting that she is also an accomplished fiddler. This past August, Aiofe released her debut CD, This Time the Dream’s on Me, a jazz album backed by a four piece band which Journal of Music introduces with these succinct words:
Just added to Martin Doyle Flutes: three music samples from Elizabeth Petcu’s debut solo flute album, Just Me. Elizabeth Petcu is a good friend of Martin Doyle’s who lives in Bray, County Wicklow. They also constitute two thirds of the music trio Rune.
The fourteen tracks that comprise Just Me were recorded at the acoustically exceptional Calary Church near Roundwood in County Wicklow and the album is a lovely interpretation of Elizabeth’s favourite repertoire.
Elizabeth recorded Just Me on a Muramatsu concert flute fitted with a wooden headjoint and a keyless simple system Irish flute. Both the wooden headjoint and the Irish flute were made by Martin Doyle. The three tracks that have been added to Martin Doyle’s website are those that Elizabeth recorded using her Martin Doyle keyless Irish flute.
Elizabeth Petcu playing a Martin Doyle flute.
The two Telemann tracks are particularly worth noting as they were technically challenging in that Elizabeth decided to perform them on her Martin Doyle keyless simple system flute – just six open holes with lots of half-holing and cross fingering – quite an accomplishment! Throughout this album, Elizabeth Petcu exhibits her capacity as a mature flute player of great technical capacity that is coupled to a heart-felt passion and sensitivity for her selection. Just MeDebussy, Telemann, Bozza, Bach, Ibert, Honegger, Bates and Karg-Elert – with a traditional Irish air as a fitting finale.