Edel Vaughan performing on tour with the Kilfenora Céilí Band. (Photo: Martin Connolly of Kincora Photography)
A little about Edel Vaughan …
Edel Vaughan is a native of the County Clare who has been playing music and participating in traditional and sean nós singing from an early age. She has won six All Ireland titles and has travelled the world with the renowned Brú Ború group. Edel has also travelled and worked with the dance show Ragús and has had the honour of being a member of the prestigious Clare Memory Orchestra for a specially commissioned millennium suite commemorating the death of Brian Ború in 1014 AD. Edel is also no stranger to the camera having performed on many television series including Abair Amhrán, Fleadh TV and Geantraí.
Currently touring with the renowned Kilfenora Céilí Band, Edel also teaches Irish and history at St. Flannans College in Ennis and traditional singing in many Comhaltas branches throughout Ireland. Edel released her debut album Spreagtha (Inspired) in April 2016 – here is a sample featuring several songs from the album.
The particular flute that Shardul is playing is a three keyed D-flat flute made from African Blackwood that was in fact originally made for Sri Chinmoy. It was commissioned by Maral Siegel of New York who is also a student of Sri Chinmoy, and was presented to Sri Chinmoy at the Royal Albert Hall in London by Martin himself after the Master’s peace concert there in 2003 at a post concert function. Unfortunately an injury to one of Sri Chinmoy’s hands prevented him from playing the flute for very long and it was returned to Maral who eventually gave it to Shardul as a gift a couple of years later.
Since that time, Shardul has played Sri Chinmoy’s music in a wide variety of public spaces including hospitals. Encouraged by Sri Chinmoy who once told him that soulful, meditative music would help to alleviate humanity’s sufferings, Shardul has played regularly in hospitals in Auckland and Christchurch – particularly in the large ten floor glass topped atrium in the central Auckland hospital where some of the documentary footage was shot.
We hope you enjoy the video clip and we would also like to offer everyone our best wishes for the New Year. May your hopes and dreams bear fruit and bring you joy, peace and fulfilment in 2017. Kind regards from Martin Doyle and his team.
To celebrate the Irish mid-autumn, we feature two video clips that have recently captured Martin Doyle‘s ear. The first is a video of Jana Semerádová performing a concerto in G major for the flute – Largo andante. Martin is a big fan of Jana’s flute playing and was very pleased to met her at the 20th Sligo Festival of Baroque Music in September, 2015.
The second is a video clip of the legendary Ronan Browne playing Uilleann Pipes. Martin and Ronan enjoy a friendship that goes back many years and they also share a mutual appreciation for each other as musicians. Martin recently commented that “Ronan’s music is as as honest as you’ll find”. Here’s Ronan’s latest video clip which was recorded in Annagh in the County Clare.
It is most probably a fact that most flute makers do not get to know much about what the flutes they have made get up to once they have left their workshops, but there can be moments of exception.
One such moment came Martin Doyle‘s way recently when he received a very encouraging and inspirational message from veteran musician Premik Russell Tubbs regarding an event that Premik was involved with in January of 2015. That message, in part, is as follows:
Martin Doyle Flutes recently received two testimonial comments from customers and his website has had a facelift in the form of a resposive template.
Two New Testimonials
Martin Doyle has recently received two very glowing and kind testimonials for his flute making efforts. The first testimonial is from Irish flute player Mike Kenneally of County Galway:
I love the flute, Martin. Maybe I should say what it is I like about it. Well, first of all it vibrates very freely without much effort of blowing. It is finely in tune with itself and the tone is rich and smooth. The keyed notes have a clarity and strength that I have not encountered before, and I think that ending the flute at the low D makes all the difference to that note. Another good point that I have noticed is that it is very easy to do breath vibrato on it. So all in all a job very well done. Congratulations. I can perhaps, appreciate more than most the work that went into making such a superior instrument, because I do a bit of woodturning myself.
The second testimonial is from German flute player Stefan Thamm of Freiburg: